LILITH 3:16

 In Lilith 3:16, Fauxpamine constructs a heretical codex from the ashes of canonical exclusion. Through digital manipulation of classical iconography, the artist reclaims and re-authorizes Lilith . Not as cautionary tale, but as conceptual force. These works inhabit a liminal space between museum and meme, where aestheticized rage becomes a scholarly artifact. Each panel becomes a feminist reliquary: a devotional to autonomy, a liturgy of refusal.
 The forbidden fruit? Agency.
 And she took a bite.