No, But You Can Follow Me on IG

In this quietly confrontational triptych, No, But You Can Follow Me on IG interrogates the aesthetics of refusal in a hyper-mediated economy of presence. Each piece in the series is less a rejection than a rerouting—an elegant redirection of intimacy into the publicly consumable. Here, the denial of access is not cruel but curated; not final but followable. To be turned away has never looked so aspirational. Through juxtaposed iconography, editorial cues, and algorithmic undertones, Fauxpamine repositions digital distance as the ultimate artifact of self-preservation.